Satire is tough to pull off. All satire should be comedic, but that doesn't mean all comedy is satire. We think these are the ...

Justine Kraemer is a Senior List Writer at Collider and a freelance writer based in Ontario, Canada. She is passionate about finding new angles on the latest movies and TV shows. With over five years ...

Jessica is a young writer from Brisbane, Australia. An avid consumer and lover of all things Film and TV, you will never tear her away from a screen. A tendency rooted from childhood, she once had ...

The pitch seemed like a long shot: The movie would focus on an American president whose behavior had become so erratic that he was persuaded to hire a shrink. Both men instantly found themselves in ...

Add Yahoo as a preferred source to see more of our stories on Google. This image released by Neon shows Lee Byung-hun in a scene from "No Other Choice." (Neon via AP) Leaves and bodies fall in “No ...

You might need to lie down for a bit after “Eddington.” Preferably in a dark room with no screens and no talking. “Eddington,” Ari Aster’s latest nightmare vision, is sure to divide (along which lines ...

Movies about war have long been popular with audiences. There are some movies that provide a unique perspective on war by satirizing the chaotic nature of these events. Satire can be a powerful tool ...

Satire has always been one of cinema's sharpest tools as it often cuts through power, politics, culture, and ego, a lot more effectively than any devastating drama. Indeed, over the past 75 years, ...

Leaves and bodies fall in “No Other Choice,” Park Chan-wook’s masterfully devilish satire with a chilling autumnal wind blowing through it. “Come on, fall,” urges You Man-su (Lee Byung-hun) as he ...

This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP) You might need to lie down for a bit after “Eddington.” Preferably in a dark room ...

You might need to lie down for a bit after “Eddington.” Preferably in a dark room with no screens and no talking. “Eddington,” Ari Aster’s latest nightmare vision, is sure to divide (along which lines ...